CONTACT US: Этот адрес электронной почты защищен от спам-ботов. У вас должен быть включен JavaScript для просмотра.  

K . O . R . J . SOFIA PYRAMID

THE ANCIENT PYRAMID HAS SPOKEN 

THROUGH THE WORD, THE NAME, THE  EYE

Exodus 14:19–21 · seventy-two places

Forward, back, forward!

And ever stronger grows the certainty that so it was appointed. All randomness recedes into the background once you sink deeper into these pictures and calculations. It even seems there is no randomness here at all, because everything falls into place by itself. As it did back then, in two thousand seven, with THE AUTOSENSER CARD.

And what is most interesting — not only through the plus, the moves and the rotations, but also through the liberating minus. Of that, however, later, in the next article. The minus in gematria — no one has ever considered it. Let me be the first. As with the pyramid.

So then: after the unsealing of the correct mathematical structure, the matrix gathered its maximum by its own motion and began to unseal itself and lay itself out into a concrete pyramidal form.

For millennia people thought that two times two is only four. But it turned out that to unseal the three columns of the seventy-two, one needs mathematics born of antiquity. Forward, back, forward. After applying this move — and other keys, of course — a rhythmic picture emerged. As they love to say nowadays — a pattern. Look at it for yourselves.

Dear people, the point is not only in the most beautiful numbers and in the coincidence of the contents of the three columns. And not even only in the fact that they have now gathered into the most ancient of forms, the triangle — the pyramid. It is also — first of all, though everything matters here — that the languages, yes, not one language, out of which it assembled itself, unseal an ancient entrance to the understanding of our past.

Pay attention not only to the placement of each language inside the pyramid, but also to the crossing of the alphabets of different languages with one another, and to the presence and the position of the cell OKO — the Eye. In the upper part of the pyramid. Right on the edge.

We all know one truth: numbers cannot lie, and mathematics is a science. Tell me, is that already two truths? No. And what of that very minus, which proved so necessary here?

Accordingly, the resulting matrix presses one toward the inescapable conclusion: so it was appointed.

In one small article like this it is impossible to reveal everything you see before you. A book, of course, is coming soon. But for now I try to share what already exists — what I have unsealed by right, with keys. Not broken into, not pried open — simply unsealed.

But everyone has to start somewhere. Pencil, paper or calculator — all will serve. One of the most important keys here: forward, back, forward. But now — consciously.⸻

WHAT IS BEFORE YOU

Three verses. Two hundred sixteen letters. Seventy-two places, and on each, three letters, one beneath another. The number of a place is the sum of those three.

The places are seventy-two, but the distinct numbers on them are sixty-two. Eight numbers stand more than once, and this yields ten extra places. Hence a rule that must be understood at once, or nothing further will be visible:

a word sits not on a cell, but on a number.

If one and the same number stands on two places — the word takes both at once. The number forty-seven stands on four places, and megged, gift, holds all four together. The number twenty-two stands on two places, and VEZHDA — the eyelid — stands on both.

The form assembled itself. Eleven tiers from bottom to top — eleven places in the base, ten above them, nine, eight, seven, six, five, four, three, two and one. Sixty-six. And above the summit rose a cap of six. Seventy-two in all.

Today seventy places are occupied. Two stand open, and I left them open on purpose. The entries on the field number one hundred ninety. The Hebrew settled on sixty-nine places, the Arabic on forty-nine, the Glagolitic on twenty-eight, the Cyrillic on twenty-four.

On four places all four scripts converged. On thirty-three — three scripts. On twenty-two — two. On eleven — one.

I selected nothing. I have not even properly worked this field yet. Only what fell into the frame by itself is standing there.

THIS FIGURE HAS A FACE

Not in a figurative sense. It reads off the numbers.

The pyramid has three borders: two edges and the base. Down the middle runs the vault — the axial column, the spine of the figure. And the cap above the summit.

The Eye stands on the left edge. Place fifty-seven, number one hundred thirty. There stand the Hebrew עין and the Arabic عين — the very same three signs: ayin, yod, nun. Seventy plus ten plus fifty. Two scripts write one word with the same letters, and this is not similarity, this is identity. And to the same place the Cyrillic brings VINO — wine.

A step below, on the same edge, stands ZRAK — sight — at one hundred fifty. Sight beneath the eye.

Now climb the left edge from bottom to top. Four places in a row, without a single gap:

place fifty-two — ZRAK, sight, one hundred fifty

place fifty-seven — OKO, the eye, one hundred thirty

place sixty-one — IMYA, the name, forty-eight

place sixty-four — LIK, the face, fifty-eight

Sight. Eye. Name. Face. Step after step, four in a row up one edge. And above there is only the summit.

This is not a figure of speech. Count for yourselves: above the place where the face came to stand, there is nothing more on this edge except the summit itself. The edge ends in a face.

On the right edge, place twenty-one, number one hundred — LIK, the face, in Glagolitic. And beneath it, in the very corner of the base, GLAVA — the head — on thirty-seven. The head below, the face above it.

And do not confuse them: LIK stands on the field twice and on different numbers, because the alphabets differ. In Cyrillic it gives fifty-eight, in Glagolitic one hundred. Both numbers were found on the field, and both on the edges.

One hundred thirty, seventy, one hundred. The eye, the number of the eye, the face. Add them — three hundred. And three hundred is shin, the letter with three prongs. The sign of fire and spirit.

And across the whole field there are five words of seeing: OKO, the eye, on one hundred thirty; ZRAK, sight, on one hundred fifty; GLAZ, the eye, on sixty-four; GLYADI, look, on forty-five; VEZHDA, the eyelid, on twenty-two. Five words of seeing, and each settled on its number by itself.

TWO EYELIDS AND AN EYE BETWEEN THEM

Now look at this carefully, because it is the most beautiful thing in the base.

VEZHDA — the eyelid — stands on the number twenty-two. Twenty-two occupies two places on the field: the seventh and the ninth. Both at the very bottom, in the base.

And between them, on the eighth place, stands an open cell.

Eyelid. Open. Eyelid.

I did not leave that cell for beauty, nor did I fit it to the picture. It remained unfilled because I have not yet closed it. And it stands exactly between two eyelids.

The eye of the pyramid is not yet closed. And it is watching.

THE SPINE

The axial column passes through the centers of the tiers. But not every tier has a center. Where the number of places is even — ten, eight, six, four, two — there is no middle at all: the row divides exactly in half, and no central cell exists in it. So there was nothing to choose from here and nothing to fit. The spine is formed by the tiers that do have a center: eleven, nine, seven, five, three and one. Six places from bottom to top. Not six chosen out of seventy-two — six that are the only ones possible. There simply are no others.

The axial column passes through the centers of those tiers where a center exists at all — the odd ones. Six places from bottom to top. Here they are, from the bottom up:

sixty-five — Adonai; dunya, the world; ZHIZN, life

seven — zayin; ASHCHE, if

seventy — yayin, wine · sod, secret · layl, night · kun, be · IMYA, the name

four hundred sixty — nit; UM, the mind

twenty — kaf, the palm · wadud, the loving · IDI, go

one hundred ninety — qetz, the end · nafs, the soul · KON, the horse · KOLO, the wheel

Life. If. Name. Mind. Go. Soul.

Read it once more, slowly. This is the spine of the figure, six places on one straight line, and not one of them did I place there — they turned up there.

And separately, about the middle. Place forty-two, number seventy. The fourth of seven in its tier — the exact center. Seventy is the number of the letter ayin, the very letter with which the eye begins. That is: the number of the eye stands exactly on the spine, in the geometric center of the only tier where such a center is possible.

And what stands on that place? Wine. Secret. Night. And the Arabic kun — "be," the word by which things are created. And the Slavic IMYA — the name.

Wine, secret, night, "be" and the name — on the number of the eye, in the exact center of the vault.

FOUR SCRIPTS IN ONE KNOT

There are four places where all four scripts converged at once. Aramaic-Hebrew, Arabic, Glagolitic, Cyrillic. Not two. Not three. Four.

Place four, number one hundred forty. The Hebrew elem — the hidden. The Arabic ilm — knowledge. The Slavic ZNAMYA, the banner, and KON, the horse. And notice what happened here. The hidden and knowledge are the very same three signs: ayin, lamed, mem in the Hebrew; ayn, lam, mim in the Arabic. That which is hidden and that which is known stand on one letter and on one number.

Place fifty-three, number one hundred one. Michael. The Arabic ism — the name. And RA in both Slavic alphabets at once. Both. This is the rarest of cases: the alphabets count differently, and one and the same word almost always yields two different numbers. But here both counts converged on a single point. The name of the angel, the word "name," and RA — on one hundred one.

Place sixty-six, number one hundred ninety. The summit. Qetz — the end. Nafs — the soul. KON and KOLO.

Place seventy-two, number eighty-six. The crown of the cap. Elohim. Al-Mujib — the Answerer. BOG — God. BLAZHEN — blessed.

Take a reference book and add it up yourselves; it is two minutes. Aleph, lamed, he, yod, mem — eighty-six. Al-Mujib — eighty-six. BOG in Glagolitic — eighty-six. BLAZHEN in Cyrillic — eighty-six.

Four scripts.

Three languages, three peoples — for the Glagolitic and the Cyrillic are two scripts of one language, and therein lies the whole salt of it: one speech came here twice, by two counts, and both counts settled.

And one number at the highest point of the figure.

There used to be two such knots. Now four have been unsealed. And the places where three scripts converge are now thirty-three — there were sixteen.

THE VERY SAME SIGNS

Fourteen places where two scripts write one word with the very same signs. Not similar ones — the same, in the same ordinal positions.

one hundred thirty · עין = عين · ayin, the eye — ayin, the eye

ninety-one · מלאך = ملاك · malakh, the messenger — malak, the angel

forty-seven · מגד = مجد · megged, the gift — majd, glory (four places)

thirty-seven · אול = أول · aul, the first — awwal, the first (two places)

sixty-four · דין = دين · din, judgment — din, faith

one hundred forty · עלם = علم · elem, the hidden — ilm, knowledge

two hundred six · דבר = دبر · davar, the word — dabbara, he arranged

one hundred twenty-six · ענו = عنו · anu, the meek — anu, submission (two places)

ninety-four · צד = صد · tsad, the side — sadd, the barrier

Nine pairs. Fourteen places.

And look at the sixty-fourth. Din in Hebrew is judgment. Din in Arabic is faith. The very same three signs. And the Slavic word that settled on the same number is GLAZ — the eye.

Judgment, faith and the eye on one number. There is nothing here to select and nothing to shuffle. The signs are the same. This is not found — it is forced by the very construction of both scripts.

ONE WORD, TWO NUMBERS

Here is what people rarely look at, and should.

The two Slavic alphabets count differently. Therefore one and the same word yields two different numbers. And here is what turned out: both were found on the field.

LONO, the bosom — two hundred twenty and two hundred eighty. Both stand.

ZHIZN, life — sixty-five and ninety-six. Both stand.

VEDI — nineteen and twenty-four. Both stand.

LIK, the face — fifty-eight and one hundred. Both stand.

KON, the horse — one hundred forty and one hundred ninety. Both stand.

IMYA, the name — forty-eight and seventy. Both stand.

IDI, go — twenty and twenty-five. Both stand.

Seven words, and each settled twice, on two different numbers, because the alphabets differ.

This cannot be forged. These numbers were driven apart not by me — they were driven apart by the very construction of the two counts, long before I was born. To fit this by hand, one would first have to fit the writing systems themselves.

THE CAP

Six places above the summit. Read from left to right:

eighty-one — anokhi, I · DEN, the day

sixteen — ezov, hyssop · zuhd

two hundred six — davar, the word · dabbara, he arranged · jabbar, the mighty · SE, behold

fifty-two — ben, the son · ana, I

twenty-five — ko, thus · IDI, go

eighty-six — Elohim · al-Mujib · BOG, God · BLAZHEN, blessed

I. The word. Behold. The son. I. Thus. Go. God.

I will not comment on this. It stands there. Read it yourselves.

THE LETTER THAT IS NOT THERE

And here is something curious and even a little mysterious. A rarity for me, but I decided to run a check all the same.

One letter is absent from the field entirely. I went through all twenty-two letters across all seventy-two places. Two hundred sixteen signs. Twenty-one letters occur. Gimel — not once. Zero.

I will say at once, so that no one runs off with this as a miracle: the letter is rare, and over such a length it may well fail to appear. In itself this is no wonder.

The wonder is elsewhere. It came back as a word.

Megged, the gift — forty-seven. Majd, glory — forty-seven. Gila, joy — forty-eight.

The letter that is absent from the field arrived in the words that settled on this field. And it arrived on neighboring numbers. Gift, glory, joy — forty-seven, forty-seven, forty-eight.

What is not in the stone is spoken aloud.

THE WEIGHT

Add up the values of all the letters of the three verses. Add up all seventy-two numbers of the field. The result is one and the same.

I do not pass this off as a miracle. It is an identity, and it cannot fail to agree. It is a control: if yours did not agree — the assembly is wrong. Reassemble.

Each of the one hundred ninety entries has been recounted letter by letter. Discrepancies: zero.

The letter values stand in any reference book. I did not invent them and did not assign them. Take a reference book, look, read, count.

NOW THE QUESTION

This is the Book of Exodus. Three verses, seventy-two letters in each.

Where does the Glagolitic in them come from?

Where does the Arabic come from, settling on the same number as the Hebrew, with the very same signs — not once, but in nine pairs on fourteen places?

Why did four scripts converge at four points at once, and why is one of those points the summit, and another the crown above it?

Why does the spine of the figure read as a connected line?

I am not answering these questions today. I am posing them.

The answer will be in the book — from beginning to end. All two and a half paths and all the ways. And the mathematics without which this field could not have been unsealed: four ways in which two times two is not four. 8. There is no entering here otherwise. These are the keys — some of them. And one I give right now; it stands at the very beginning of this article: forward, back, forward.

Meanwhile — here it is. It stands before you. The numbers are open, every last one. I hide none of them. I hide only the move by which they came to these places — until the patent and the book.

Whoever says "hand-picked" — very well: take it and pick the same yourselves. With the assembled result already before your eyes. Then you need not wait for the book — but it will be you doing it, not I; or you will not do it. I, for my part, must have the patience to describe it all to you painstakingly: all the paths and ways, the moves and, of course, the secret! The greatest one in this pyramid. I promise you will be astonished beyond words! The secret of one language — which is in fact four scripts. Twenty-two signs, four scripts, seventy-two places, and everything settling onto its numbers by itself.

One may say: coincidence. Very well — count how many coincidences in a row you are prepared to call coincidence.

Or one may take a pencil and check.

LOOK. READ. COUNT.

TWO OPEN EYES

Two places stand empty. The eighth place — four hundred twenty-five, the very one between the two eyelids. And the twenty-fifth place — four hundred fifty-five.

I invite you: find the word. It will take its place by the same rule as everything else. Add up the letters; if the total agrees — the place is yours. And I will sign your name into the history of the completion of the pyramid's assembly.

But it must be done correctly, and first.

I am closing the field further, slowly, two or three words at a time, and I will show every next step. Whoever wishes to repeat it — write to Этот адрес электронной почты защищен от спам-ботов. У вас должен быть включен JavaScript для просмотра. . Whoever wishes to argue — argue; the field will not change from it. It has already assembled.

And whoever is seriously engaged in gematria needs no explanation. For him, the number eighty-six at the highest point will suffice.

P.S. ON THE SPELLING OF NAMES AND WORDS A question might arise, and more than one, for example regarding the name Elohim written by me with "x" [Russian "kh"], while Hebrew ה and Hebrew ח are rendered the same way in Russian, yet their numbers at the same time are different — five and eight. I am answering once and for all, so as never to speak of this again. Although, as you yourselves understand, dear people. Nevertheless, I write the name Elohim with "x" because that is how it has been written in Russian for a hundred years. Of course, for this discovery this is no time at all — I agree — but I will not change an established spelling for the sake of convenience of analysis; I do not think that would be right. In all other words where there is no established form, I write ѓ: ѓod, aѓavah, koѓen, ѓa-teva, zaѓav.

And the main thing for which this postscript was written. Neither the Russian rendering, nor the Latin, nor the translation are counted and they do not affect the number. Only the Hebrew spelling is counted.

A Russian word is not the word. "Soul" in Russian is both nefesh נפש four hundred thirty, and ruach רוח two hundred fourteen, and neshamah נשמה three hundred ninety-five. "Strength" is both gevurah גבורה two hundred sixteen, and koach כח twenty-eight. "Eye" עין one hundred thirty and "nothing" אין sixty-one sound almost the same, but begin with different letters. Whoever derives the Hebrew word back from the Russian translation will get another word and that other number.

And one more thing that is asked often. When the text enumerates letters — "ayin, yod, nun" — these are NAMES OF LETTERS, not a word. The letter ע is called ayin. The word עין, eye, is rendered ayin. This is not a discrepancy and requires no correction.

Verification must be done by the Hebrew spelling. It is indicated throughout the work, and only it gives the number.

To good health, with the Word, with the Name, with the Eye, just as it is inscribed directly and in the pyramid simultaneously in many languages at once. Pay attention to this, dear people, simultaneously!

Steven Korj

Slava MCC.

1UFO.INFO